So many American plays are about family. When you're in the first part of your life, you write about family a lot. I find with my absurdist plays that I was actually writing about my family, but so disguised I didn't realize it myself.

The first several scenes are about sexual addiction. They're not specifically political at all... I didn't sit down and think, ''I am going to write something about the religious right.'' I started out by writing something about sexual addiction, and it evolved... I don't look at a calendar and say: ''Oh! There's going to be an election in 1996. I think now, in 1993, I'll start writing a play that'll be ready for it.''

On the one hand, I'm grateful to be hired and thrilled to be paid.

Here is the key to existence. Are you listening? Here is the key to existence; when I tell you this you will know how to run your lives. You will know if you have been living life to the full, and if you realize you haven't been, you will know immediately how to correct that state of affairs. As soon as I tell you the key to existence. Are you ready? Are you ready for me to tell you?... Always breathe. That's the basis of life, breathing. That's basically the basis. If you don't breathe, you die.

I didn't have a teacher like Sister Mary Ignatius.

Then in college I became obsessed with film, and wanted to be part of that.

When my parents separated, I was very grateful.