So many American plays are about family. When you're in the first part of your life, you write about family a lot. I find with my absurdist plays that I was actually writing about my family, but so disguised I didn't realize it myself.

Laughter can bring a new perspective.

My parents didn't really know one another.

Unless you go through all the genuine angers you feel, both justified and unjustified, the feelings of love that you have will not have any legitimate base and will be at least partially false. Plus, eventually you will go crazy.

In my 20s, I was more cynical/despairing (even though I still wrote comically), but I often sent audiences home with rather dark last moments. After a while though, I don't want to send the audience home bummed out, or distressed ... I want to see what's hopeful. I'm not overly cheery all the time, and yet I'm not suicidal either. I do think people can make choices that make their lives happier.

My biggest problem with organized religion is that God has been imagined as a human being with emotions. I feel if you let go of that, then it's possible to see God as a force, to connect to him or her spiritually.

I grew up wanting to be a writer for theatre.