The problem with big films is they snowball very rapidly and you can never pull back. It's a pipeline that needs to be fed.

I've always believed that if you want to really try and make a great film, not a good film, but a great film, you have to take a lot of risks.

I like films that don't have that unonimity of a response; that don't have consensus in the audience. What it is essentially for me is that if you go back and watch the film a second time, do you feel that you've been played fair with? Are all the clues in place? Indeed, sometimes these things are even overstated. Specifically, for that reason.

When you start really thinking about the potential of the human mind and its ability to create an entire world while you're sleeping, I come away feeling like our minds are not remotely understood by science.

What I try to do is write from the inside out. I really try to jump into the world of the film and the characters, try to imagine myself in that world rather than imagining it as a film I'm watching onscreen. Sometimes, that means I'm discovering things the way the audience will, with character and story.

The problem with big films is they snowball very rapidly and you can never pull back. It's a pipeline that needs to be fed.

Why do we Fall? So we can learn to pick ourselves back up.