I'm in a place in my life where I get offered parts that I didn't get offered before - fathers and uncles and grandfathers and so on. And it took me a long time to get to that place, but I'm glad because it opens up new territory.

The last time I did a movie that needed a horse, I said: 'If it moves, I'm out of here.' The worst thing is, they know when you're afraid and act up accordingly. I've had them run off on me. Horses I do not like.

There are movies that I've made where I thought I was going to be good, but when it was cut it together it wasn't. And there are a lot of movies that, for one reason or another, just don't become popular. So to me it's always been a little bit of a roll of the dice. That's the way it goes.

In rehearsal you have a good accident that you can repeat.In the movies if you have a good accident you hope the camera's running.

I've never done that [fighting for arole]. You hear about actors going in and saying, "You've got to let me read for this!" I've never done that. Lots of parts I've wanted and didn't get, but I think any actor would say that.

If you're an actor, a hard thing is to stick around, to stay viable. I try to do that by taking the opportunity to do something different every once in awhile.

I don't think I'd be a good director because people would ask me, you know, "What is it? What's going on here? Where should I put the camera?" Or, "What's my motivation?" And I would say, "Do whatever you want!"