I became an actor by accident.

It's what actors call a big, juicy part, when you're a leading man. I don't get a lot of those. I get a lot of supporting things.

I come from a part of New York that was almost entirely immigrants. I was born in America, but all of my friends' parents, everybody's parents, including my own, had come to America from Europe.

For me, in movies, it's always a mixed bag. I've never made a movie where I thought, "You were really good in that movie; you were good all the time." No. It's always, "You didn't get it, you didn't do it in that scene, but the other scene is pretty good." So I just hope that in balance there's more good scenes than not.

We have no way of knowing what lays ahead for us in the future. All we can do is use the information at hand to make the best decision possible.

It's true that I don't think I'd be a good director. If I were a director, I'd try to hire the best people I could and then leave them alone. I don't know much about cameras or lighting, so I'd make sure that I had a really good cameraman who understood lenses and lighting, and I say to him, "This is the scene we have to shoot and this is what I think it should be, you go do it." Same with actors. But really, very good directors who know everything do basically the same thing. They hire you and then they leave you alone.

Of course they may have corrected it by now, but the original titles at the end of Annie Hall say "Christophe Vlaken." It was just inconceivable. These things are checked...I don't know what that was about. I'd never seen or heard of it. How they came up with the name Christophe Vlaken, it must've been a conspiracy. I did ask about it but nobody knew.