I tend to play mostly villains and twisted people. Unsavory guys. I think it's my face, the way I look.

I wasn't a trained actor, I was trained in musical comedy theater, and when you do that, the audience is completely part of the thing. It's like Elizabethan theater. You play the scene, and then you turn - the audience is part of it.

Obvious things like The Deer Hunter. After that happened, the scripts got better. Opportunities happened.

It's true that I don't think I'd be a good director. If I were a director, I'd try to hire the best people I could and then leave them alone. I don't know much about cameras or lighting, so I'd make sure that I had a really good cameraman who understood lenses and lighting, and I say to him, "This is the scene we have to shoot and this is what I think it should be, you go do it." Same with actors. But really, very good directors who know everything do basically the same thing. They hire you and then they leave you alone.

Acting has to do with saying it as if you meant it, so for me the words are always very important. It's very important for me to know my lines, know them so well that I don't have to think about them.

I used to love Danish. My father used to make a Boston cream pie. You never see that anymore.

When I was a kid I joined the circus. I did that. It is true. But it's not like you think. There was a guy, he had his own circus. His name was Carol Jacobs and he owned it. It was a small thing.