I grew up as a sports fan, and I know that a hall of fame is very different than an award for being the best of the year. It's a nod to the longevity of our accomplishment.

I don't think a lot of people have been privy to understanding that there's this talent in hip-hop all over the earth that's just as good. It's just that everything out of the U.S. proclaims to be the best, especially L.A. and New York, being that they're the nerve centers and media capitals of the most predominantly media-emitting country in the world.

If they can send you to war at 18, maybe it's beneficial for some people to think that most of us gotta go to war for our own existence.

No matter what's in your head, you go up into any hospital, up to a terminal ward and it'll smack you right back into reality that, "Hey man, whatever you're dealing with, if it's heavy on your heart and head, you're gonna have to let that go, because there, some people are dealing with unavoidable situations that they can't let go." And then they eventually let those go, so, I mean, that's helpful.

Americans are not sharp. You can be sharp in your own area, I guess, but in this world you gotta be conscious of everybody else in the world too. You just can't be drunken with constitution and hear, okay we're gonna do this and then you hear well, we're gonna go kill this guy 'cause he's a terrorist and you keep gettin' it.

Public Enemy is the security of the hip-hop party.

There's people who feel that, Well, if I could profit off of sellin' sex to an eleven-year-old kid that comes through some kind of virtual portal, then I'm not really doin' it in actuality. I'm just kind of co-signing or fostering it, 'cause it can't be attached to me. I'm like, Yes it can, 'cause people are livin' through their avatar.