When we worked on Ice Cube's Amerikkka's Most Wanted album. Before we talked studios, beats, or lyrics, I said, "Two rules: Only say what you're able to vouch for. Number two, never repeat yourself twice, because we makin' an album that people will play over and over.

You know, it's nothin' quick overnight. If anything happens to you quick, you need to start questioning that. You know, you hear young people go, aw, I'm gonna blow up. You gonna blow up but with a controlled explosion. Don't just blow up all over the place.

I came from a mother and father who always made me secure in my beliefs, and that's where the love came from.

Never have so many men treated women like our foes. They call 'em hoes, but they might as well call them foes, 'cause you are totally against the existence of somebody who should live their life as an equal human being. If not, any man knows, it's like we're not equal. You know, women are usually a little better than us.

Public Enemy started out as a benchmark in rap music in the mid-1980s. We felt there was a need to actually progress the music and say something because we were slightly older than the demographic of rap artists at the time. It was a time of heightened rightwing politics, so the climate dictated the direction of the group.

In the past, people were going to record stores and buying albums or CDs. And the label was exposing their artist as much as possible and maybe getting them picked up by a major. Now I tell people to cut a good tune and have it up in the marketplace the next day. You better be prepared to give it away, and people will come pay to see you.

Ever since I was a teenager, I was always kind of, like, checking myself. You know, like, "Come on man, don't get your head all swollen. Life and time itself will give you perspective on what you're doing." So, that's actually what's always been a reminder in my own head.