It ain't this big I, little You. Music is to be shared. Music is not a hustle. [Hip hop's become] cultural stripmining [by the major labels]. Some people get into this music to make a killing but music is a way to make a living.

I always remain optimistic. There are three levels of music production: the majors, indies, and what I call "inties," music distributed via the Internet. The Internet is one area that I have used pretty effectively to break free of corporate control.

When music turned into being like candy - what people don't realize is, yes it's candy, but candy has long-term effects if you're just eatin' it as your main meal. And that's a problem, 'cause if you got music that keeps comin' at you, that keeps coming like a piranha, coming and rippin' at your soul, it's like yeah, I'm takin' this in, but there's not much of me left. Then you'll be lookin' for something outside of music to satisfy you, or take you away.

The biggest thing that has happened to hip-hop is the clinging on to the corporation as the all-mighty hub of the music.

Culture is this thing that we can exchange among ourselves as human beings to knock aside our differences and build upon our similarities. Cultural exchange is the ultimate exchange.

I'm not a U.S. citizen. I mean, I'm an earth-izen. Borderline policies are crap to me.

They [US Administration] have exploited hip-hop and some of the culture around it - magazines, videos, etc. - to recruit people into the military. The Army says it will give out Hummers, platinum teeth, or whatever to those that actually join.