So, rather than trying to humbly mix with the rest of the world, we are forcing ourselves upon it. We seem to create conflicts with everyone.

I think the Internet was the saving grace for Public Enemy. Before that, travelling the world saved Public Enemy.

In the past, people were going to record stores and buying albums or CDs. And the label was exposing their artist as much as possible and maybe getting them picked up by a major. Now I tell people to cut a good tune and have it up in the marketplace the next day. You better be prepared to give it away, and people will come pay to see you.

I always tell people that I was fortunate I was able to come in with a group of men. We didn't come into the game with a group of boys. We were young then. So your cats keep you in check.

For a long period of time, the media covered rap music and hip hop the same way they cover a lot of black people, people of color, you know, the bad news happens to be news. They used to have these little stupid colloquialisms that pop up like, "You know what? No news is bad news!" They trick the masses into thinking that any news is great for you. And I just think that's a piece of crap.

I spread the message of hope and of unity. That's what gets me up in the morning. I can tell you what is wrong, but I can't tell you how to fix it. I'm a raptivist, not a politician. I deal in hope.

I adhere to the philosophy, "I don't care who writes the laws, let me write the songs."