My daughter's 19. I'm not asking her to develop as an artist. I'm just asking her to develop as a full person, human being.

When culture is created in boardrooms with a panel of six or seven strategists for the masses to follow, to me that is no different than an aristocracy. It's not created from the people in the middle of the streets, so to speak. It is created from a petri dish for the sake of making money, and it is undermining the longevity of the culture.

Being called Black in America is the struggle to keep us moving and breathing over bloody water. Being a Nig**r or [Ni**a] without the context of history is like drowning in bloody water, dragging down those yet knowing to swim.

I know I am judged unfairly by my physical characteristics and ostracized because of that so I say, "Yes, I'm a black man."

When somebody greedily comes along and thinks that they gonna snatch everything, and you have so many people that have not, the passion that drives me is trying to make them understand that they have to share. So, my art reflects that; the whole reason I do what I do reflects that.

I was inspired by the classic rock radio of the Seventies. They separated Chuck Berry and the Beatles from the Led Zeppelins and Bostons and Peter Framptons of the time. In many ways, classic rock became bigger than mainstream rock.

We were coming out of the black community with this thing called rap music, which was basically black men yelling at the top of their lungs about what we liked and what we didn't like. It was disturbing to the status quo. It really shook things up. And those in power didn't know what to make of us, but they knew that we had to be silenced, stopped in any way from expressing our outrage.