Music and art and culture is escapism, and escapism sometimes is healthy for people to get away from reality. The problem is when they stay there.

A lot of the post-1977 dancefloor disco sounds had their place at one time, but you can't bring them back unless you bring back a floor.

Music and art and culture is escapism, and escapism sometimes is healthy for people to get away from reality. The problem is when they stay there.

Rap music and rap records used to always be like this: we get one or two shots to a piece cause it was a singles marketplace and when the major record companies saw that it could also handle the sales of the albums then they started to force everybody to expand their topics from 1 to about 10 and you gotta deliver 12 songs, so a lot of times if you took a person who wasn't really developed, and the diversity of trying say 12 different things, you know the companies were like "Cool! Say the same thing 12 different ways."

You have to wait for people to program you. The only difference is the amount of people that you're going to reach but that's going to even out in the next two or three years anyway. Computers are being bought faster than televisions right now.

We didn't invent music, so it's been here for a reason, and it has powers for a reason. So we should pay attention to it, because we might not know the clear answers but we should at least acknowledge that it is something there. To not be playin around with it.

I became tired of submitting my art to a panel of corporate strategists who decide if it meets their standard of what gets into stores or not. It was quite simple for me: they act like judge and jury of my art, and that is unacceptable. I wanted to give it right to the public.