It's possible this whole "Why do Latinos love Morrisey?" question will haunt us forever. Fortunately, Canadian academics are on the case.

What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive. It's really hard to do a literary reproduction of what makes you happy. That's what I try to do. If nothing else, it seems like there's enough people out there telling the world what isn't cool, or what's terrible, or what's depressing. I think there's an element of cynicism in my writing, but I'm an optimistic cynic.

I'm really an alarmist when it comes to epidemics. Swine flu now; when SARS was big, I was all freaked out about that, bird flu. That terrifies me.

The amount of response I get, in both a negative and a positive context, is completely related to the amount of books I sell, I think. It seems to have nothing to do with what I'm writing, but what degree of success I'm perceived to have. It's really weird, especially since I spent so much of my life covering people who are famous. It's interesting to actually have it happen to me on some level.

I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. Most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.

I don't go to scary movies. I don't like the experience of being scared. I think it's very weird that some people do. Obviously, humans are the only animals that do that. You don't see a wolf walk to the end of a cliff and look over the edge to freak himself out.

We are always dying, all the time. That's what living is; living is dying, little by little. It is a sequenced collection of individualized deaths.