Let's say Donald Trump loses but it's close. That could change the whole way the job of being a politician shifts - that to succeed in politics, you have to be a caricature of what a politician is supposed to be like.

I care about strangers when they're abstractions, but I feel almost nothing when they're literally in front of me.

Technology evolves faster than people do, faster than biology does.

The problem a lot of writers have is that they really enjoy people saying, "You're brilliant." They let their self-perception be dictated by reader response. But if you're going to let other people make you feel good, you're going to end up feeling bad when they say the opposite. You've got to be a cultural stoic. Then you won't be devastated by people who respond negatively. Of course, the downside is that it sort of stops you from being able to enjoy people liking your work.

As an adult, the only people who care about horror movies are academics. No one loves to talk about horror films more than somebody with a Ph.D. in cultural studies at a university.

I don't go to scary movies. I don't like the experience of being scared. I think it's very weird that some people do. Obviously, humans are the only animals that do that. You don't see a wolf walk to the end of a cliff and look over the edge to freak himself out.

The people who review my books, generally, are kind of youngish culture writers who aspire to write books. When someone writes a book review, they obviously already self-identify as a writer. I mean, they are. They're writers, they're critics, and they're writing about a book about a writer who's a critic. So I think it's really hard for people to distance themselves from what they're criticizing.