We would sit in the living room, drink a case of Busch beer, and throw the empty cans into the kitchen for no reason whatsoever, beyond the fact that it was the most overtly irresponsible way for any two people to live.

Punk was perfect for lazy people, because anyone could do it--you didn't even need to know how to play your instrument, assuming you knew how to plug it in. There was really no difference between Sid Vicious and anyone in London who owned a bass.

It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.

I was a teenager in the '80s - and maybe I'm wrong about this - but it seemed like a bad era for movies that were scary. It was really the height of movies that were disgusting.

I'm good at being by myself. I guess if you're a writer you get used to that.

The essays are different because ultimately it's things I'm interested in, and I'm really just writing about myself and using those subjects as a prism.

Sometimes I think that the amount of time you live on earth is just an inverse reflection of how good you were in a previous existence. For example, infants who die from SIDs were actually great people when they were alive for real, so they get to go to heaven after a mere five weeks in purgatory. Meanwhile anyone Willard Scott ever congratulated for turning one hundred two was obviously a terrible individual who had many many previous sins to pay for and had to spend a century in his or her own unknown purgatory even though the person seemed perfectly wholesome in this particular world.