Who you are moment to moment is just a story.

Everything is a self-portrait. A diary. Your whole drug history’s in a strand of your hair. Your fingernails. The forensic details. The lining of your stomach is a document. The calluses on your hand tell all your secrets. Your teeth give you away. Your accent. The wrinkles around your mouth and eyes. Everything you do shows your hand.

My goal is more to be remembered. They'll remember this thing and like it in the future. The trick is to stay remembered long enough for that to happen.

I always thought I'd write when I retired - when I turned 65. But by the time I was 33, to tell you the truth, I was a little bored with drugs and sex, and I thought I'd do the writing thing.

Personal identity seems like it's just such an American archetype, from Holly Golightly re-inventing herself in 'Breakfast At Tiffany's' to Jay Gatsby in 'The Great Gatsby.' It seems like the sort of archetypal American issue. If you're given the freedom to be anything, or be anyone, what do you do with it?

I need to rebel against myself. It's the opposite of following your bliss. I need to do what I most fear.

No, Miss Wright didn't want to meet her kid. To her, that relationship was just as important, just as ideal and impossible as it would be to the child. She'd expect that young man to be perfect, smart, and talented, everything to compensate for all the mistakes that she'd made. The whole wasted, unhappy mess of her life.