The voice says, maybe you don't go to hell for the things you do. Maybe you go to hell for the things you don't do. The things you don't finish.

We're all of us haunted and haunting.

I take pens and I write on the inside of my arm. When I'm with people and somebody says a really fascinating anecdote, or fact, or phrase, I'll write it on the inside of my arm. At the end of the day, I'll take the very best things that are on my arm and I'll copy them into a notebook that I always carry and only when the weather is absolutely terrible will I really key the very best of that notebook into the computer. At that point, it's all sort of censored twice - only the best things go from the arm to the book and only the best things go from the book to the computer.

This is the worst problem with living history museums. They always leave the best parts out. Like typhus. And opium. And scarlet letters. Shunning. Witch-burning.

The damaged loves the damaged.

What you have to understand, is your father was your model for God. If you're male and you're Christian and living in America, your father is your model for God. And if you never know your father, if your father bails out or dies or is never at home, what do you believe about God? What you end up doing is you spend your life searching for a father and God. What you have to consider is the possibility that God doesn't like you. Could be, God hates us. This is not the worst thing that can happen.

When nobody will look at you, you can stare a hole in them. Picking out all the little details you'd never stare long enough to get if they'd even just return your gaze, this, this is your revenge.