Let someone else take a crack at [your story]. Sometimes, even after time has passed, we're just too close to the thing. You don't want to kill your darlings or, maybe it's the opposite: you just want to kill all of it with cleansing fire. Let someone else confirm or veto your feelings. They'll also bring new questions and complexities to the table, too.

Speed is not an indicator of quality in terms of fiction. That's true of one's relative slowness or swiftness - taking 10 years to write a book or taking 10 days to write a book (or a comic or a film or an angry postcard) guarantees nothing in terms of how good or how bad that story is.

Nobody becomes a writer overnight. Well, I'm sure somebody did, but that person's head probably went all asplodey from paroxysms of joy, fear, paranoia, guilt and uncertainty. Celebrities can be born overnight. Writer's can't. Writers are made - forged, really, in a kiln of their own madness and insecurities - over the course of many, many moons. The writer you are when you begin is not the same writer you become.

Write like you write, like you can't help but write, and your voice will become yours and yours alone. It'll take time but it'll happen as long as you let it. Own your voice, for your voice is your own. Once you know where your voice lives, you no longer have to worry so much about being derivative.

In my mind, only one inviolable precept exists in terms of being a successful writer: you have to write. The unspoken sub-laws of that one precept are: to write, you must start writing and then finish writing. And then, most likely, start writing all over again because this writing "thing" is one long and endless ride on a really weird (but pretty awesome) carousel. Cue the calliope music.

Enter the story as late as you can.

You can feel good about failure. Failure means you did something. You finished the story even if it wasn't what you'd hoped. Failure means you're learning. Growing. Doing.