I've had the pleasure and the great luck to work with some incredible actors over the years and you have to observe and learn and take something from it and try and become better yourself.

You need to be as clean of a slate as you can be, as an actor. You have to try to be open to every experience.

I'm interested in pressure, I'm interested in duress. All the great works of art, or film or literature, in my opinion, have elements of those in them.

It's a very organic kind of way that people are discovering it, by word of mouth, which I always think is the best way for things to grow. In terms of the affect it's been having on me, I don't even notice that. It's lovely to be able to talk about a piece of work that you're very proud of, that I think's a complex piece of work and not superficial and has depth to it.

I'd probably have been wealthier if I had stayed with law, but pretty miserable doing it.

For me, drama is conflict.

You do your due diligence, you read as much as you can, and then, ultimately, I find that you discard that and you concentrate on the characters [of 'Antropoid'] and you can draw on [the research] if you wish, but I think ultimately it's about bringing as much truth and honesty to the portrayal as possible.