For me it's always been about the stories, not what medium. The medium is secondary to the stories.

In terms of trying to improve as an actor, for me it's always important to return to the stage. After doing a piece of theater for a prolonged period, I can think I must have surely improved in some way as an actor - you must be fitter than you were prior to doing it. For me, theater is very, very important in keeping things fresh and dangerous.

But television affords you, what you just described, to - over the course of 18 hours, now that we're doing a third season - tell the story of this man. You're not under any obligation, really, to do massive expositional stuff at the beginning. You're at liberty to say, "Come with us on this journey," and, gradually, you become aware of what his motivations are, what drives him, what his weaknesses are, what his strengths are. That's what I think's sucking people into these worlds, because it is kind of like a novel, you just go really, really deep.

I don't know if anyone will ever sit beside me on a plane again.

And once you're unafraid with death, I think your capacity for violence is immediately increased. Once you're unafraid of death, you are a very, very dangerous adversary

I come from a long line of teachers. Not only did I not go into the family business; I had an aborted law career and I played in bands. 'Disco Pigs' was my first professional acting experience.

I'm not interested in a good man's life. I'm interested in contradiction.