You're an actor who's Irish, not an Irish actor. And you shouldn't be limited by your extraction.

It's a very organic kind of way that people are discovering it, by word of mouth, which I always think is the best way for things to grow. In terms of the affect it's been having on me, I don't even notice that. It's lovely to be able to talk about a piece of work that you're very proud of, that I think's a complex piece of work and not superficial and has depth to it.

The boring people are the worst. I think it's obvious, I think people have always had phobias about flying for years even before 9/11 and everything like that. It just taps into that and it taps into who you are going to sit next to on the plane.

Every Irish person of my generation and earlier, we were raised Catholic and we'd have to learn it in school, we'd to learn the catechism by rote.

I suppose I've always been attracted to this sort of outsider in general - in literature, in music, politics, whatever - and to the person that is able to be relentlessly themselves. I don't think that I have that quality, that strength of mind.

Then, at age 20, I discovered theater sort of by accident. Quite quickly, theater became more important to me than music. I began to realize that maybe my talents as a musician were quite limited, or had a ceiling to them, whereas acting seemed to sort of stretch before me. I got very passionate about it very quickly.

I think any actor that says 'I never watch my films' is a liar because you have to watch it at least once and also you're going to watch it when you're doing your ADR.