I'm terrible. I'm the wrong person to talk to, I really don't know a thing.

You take the job very seriously and between action and cut, that's where your focus should be. And then there's a lot of levity in between and a lot of good fun.

There's this thing that's come about that wasn't there when I started acting which is they do this thing called a chemistry test. They put a camera in front of two people, it's usually a boy and a girl, and they go, [whispering]. It's impossible. You can't manufacture it or film it, it just has to happen.

I'm kind of loath to pick one project over another or whatever. You go into every film sort of thinking it'll be your best work, and that's necessary. I think in this business, you really have to be forward-looking the whole time. I think nostalgia is sort of the death knell for any artist.

I hope that I have gained some wisdom, but I don't know. I have kids, and that certainly puts things into perspective. I think I'm a more patient person. I hope I'm a more patient person. I'm a little more relaxed about the peripheral side of this business, which I used to find very confusing and alarming.

The medium is secondary to the stories.

I think every director has a different methodology.