Two weeks ago we couldn't pronounce your name, but you were in the lead in a film that made millions, so we're sending you all these scripts.

It seemed to work on camera. And there's very few films - because you make a lot of films and you meet people and you work very intensely and intimately and then you're gone - but there's a few where you actually make friends, and this [The Fall] was one.

I'd love to work in America, some of my favourite films come from America.

I think there's such a thing as a performance gene. If it's in your DNA it needs to come out. For me, it originally came out through music, then segued into acting and came out through there. I always needed to get up and perform.

I have a list as long as my arm but I find those lists sort of self-defeating because you start to name and then after [the interviewer] leaves the room you go 'Ah, I forgot this person or that person.' So I just don't do it anymore. Hopefully if you make work that people like, they'll get in contact with you.

[We were very lucky that Sean [ Ellis ] researched the film [Anthropoid ] for many years.] We sort of piggybacked on his knowledge, and he gave us a lot of materials, which we read. For me, the greatest resource was actually shooting the film in Prague.

I think any actor that says 'I never watch my films' is a liar because you have to watch it at least once and also you're going to watch it when you're doing your ADR.