There's a lot of comedy in Intermission but it's got this depth. It's not comedy for comedy's sake - it's informed by something else. I like stuff like that

Every Irish person of my generation and earlier, we were raised Catholic and we'd have to learn it in school, we'd to learn the catechism by rote.

Sociopath is a word that has sort of become shorthand for psychopath and there's a distinct difference, it's interesting if you look it up. Sociopath if you look at the medical definition, the profile of a sociopath is that they are supremely intelligent people that are also pathological liars, they have no moral structure and there is one more, they have no compassion or empathy for other people.

I loved The Fall; I was kind of obsessed with that show.

Then, at age 20, I discovered theater sort of by accident. Quite quickly, theater became more important to me than music. I began to realize that maybe my talents as a musician were quite limited, or had a ceiling to them, whereas acting seemed to sort of stretch before me. I got very passionate about it very quickly.

I don't consider myself a shy person necessarily, but there's something about getting under the skin of a character and allowing you an abandon or a sense of courage that you would never have in your own life.

But television affords you, what you just described, to - over the course of 18 hours, now that we're doing a third season - tell the story of this man. You're not under any obligation, really, to do massive expositional stuff at the beginning. You're at liberty to say, "Come with us on this journey," and, gradually, you become aware of what his motivations are, what drives him, what his weaknesses are, what his strengths are. That's what I think's sucking people into these worlds, because it is kind of like a novel, you just go really, really deep.