You take the job very seriously and between action and cut, that's where your focus should be. And then there's a lot of levity in between and a lot of good fun.

I personally think if something's not a challenge there's no point doing it because you're not gonna learn much.

I'm kind of loath to pick one project over another or whatever. You go into every film sort of thinking it'll be your best work, and that's necessary. I think in this business, you really have to be forward-looking the whole time. I think nostalgia is sort of the death knell for any artist.

I think every director has a different methodology.

I think audiences are a lot more intelligent than what we give them credit for and understand that an actor is playing a role and that doesn't mean he can't play different types of roles.

I don't care if people perceive me as always selling out because I'm doing a studio picture. For me, the whole thing is you should be diverse in your choices; that's the beauty of being an actor, you should be able to do that.

I'd love to work in America, some of my favourite films come from America.