Believing in one’s own art becomes harder and harder when the public response grows fonder.

The still must tease with the promise of a story the viewer of it itches to be told.

Being able to make a living doing something one truly loves to do - is my definition of success.

The work is what it is and hopefully it's seen as feminist work, or feminist-advised work, but I'm not going to go around espousing theoretical bullshit about feminist stuff.

I’m trying to make other people recognize something of themselves rather than me.

I'd never even thought about compromise when I worked in my studio. The major distinction is in the priority of who I ultimately wanted to please: myself or the audience.

I was meticulously copying other art and then I realized I could just use a camera and put my time into an idea instead.