Every time you have to come up with a new body of work for a new show, you're aware that people are just ready to rip you apart, they're just waiting for you to fall or make the slightest trip up.

The still must tease with the promise of a story the viewer of it itches to be told.

One reason I was interested in photography was to get away from the preciousness of the art object.

The way I see it, as soon as I make a piece I’ve lost control of it.

The work is what it is and hopefully it's seen as feminist work, or feminist-advised work, but I'm not going to go around espousing theoretical bullshit about feminist stuff.

I can be fearlessly strong at times to protect an inner frailty.

I am always surprised at all the things people read into my photos, but it also amuse me. That may be because I have nothing specific in mind when I'm working. My intentions are neither feminist nor political. I try to put double or multiple meanings into my photos, which might give rise to a greater variety of interpretations.