I am preoccupied with the possibility of creating art which functions in a public situation without compromising its private character of being antiheroic, antimonumental, antiabstract, and antigeneral. The paradox is intensified by the use on a grand scale of small-scale subjects known from intimate situations--an approach which tends in turn to reduce the scale of the real landscape to imaginary dimensions.

If I didn't think what I was doing had something to do with enlarging the boundaries of art, I wouldn't go on doing it.

The right angle is one of the world's basic shapes.

My mother warned me to avoid things colored red.

Art is a technique of communication. The image is the most complete technique of all communication.

All the fun is locking horns with impossibilities.

You can take an object and simply put anything you want in that object, and I accessed that partly through Freudian ideas.