I have approached the buildings as psychological and poetic manifestations - rather than from the more technical viewpoints of the architect and historian (which mostly miss the living spirit behind the forms).

... dissatisfaction with one's self and dissatisfaction with the world - is necessary - it is one of the prime things that keeps the artist going on - that drives him - happiness, as such, must come in between times, as best it can.

I have approached the buildings as psychological and poetic manifestations - rather than from the more technical viewpoints of the architect and historian (which mostly miss the living spirit behind the forms).

As a whole, I am interested in the symbolic, rather than the literal use of the camera.

One of my basic feelings is that the mind, and the heart alike, of the photographer must be dedicated to the glory, the magic, and the mystery of light. The mystery of time, the magic of light, the enigma of reality - and their interrelationships - are my constant themes and preoccupations.

The mystery of light [and] the enigma of time form the twin pivots around which all my work revolves. In addition... my work attempts to create a mythology for our contemporary world.

Let us see as steadily and completely as possible the realities of our age: the wasted lives, the scattered and misused resources (human and material), the steel magic of the misdirected machinery, the mad clockwork tragedy of it all.