... dissatisfaction with one's self and dissatisfaction with the world - is necessary - it is one of the prime things that keeps the artist going on - that drives him - happiness, as such, must come in between times, as best it can.

Let us see as steadily and completely as possible the realities of our age: the wasted lives, the scattered and misused resources (human and material), the steel magic of the misdirected machinery, the mad clockwork tragedy of it all.

It therefore should be possible for even the photographer - just as for the creative poet or painter - to use the object as a stepping stone to a realm of meaning completely beyond itself.

As a whole, I am interested in the symbolic, rather than the literal use of the camera.

... dissatisfaction with one's self and dissatisfaction with the world - is necessary - it is one of the prime things that keeps the artist going on - that drives him - happiness, as such, must come in between times, as best it can.

One of my basic feelings is that the mind, and the heart alike, of the photographer must be dedicated to the glory, the magic, and the mystery of light. The mystery of time, the magic of light, the enigma of reality - and their interrelationships - are my constant themes and preoccupations.

The mystery of light [and] the enigma of time form the twin pivots around which all my work revolves. In addition... my work attempts to create a mythology for our contemporary world.