The patience is in the living. Time opens out to you.

Where is the safest place when that place / must be someplace other than in the body?

The idea that when one reacts, one is not reacting to any one of those moments. You're reacting to the accumulation of the moments. I wanted the book, as much as the book could do this, to communicate that feeling. The feeling of saturation. Of being full up. I wanted it to be simulacra.

Whereas if you were writing an op-ed piece or an essay, somebody would be asking, "What's your point?" With poetry you can stay in a moment for as long as you want. Poetry is about metaphor, about a thing standing in for something else. It's the thing that opens out to something else. What that something else is changes for readers. So what's on the page - it falls away.

I don't know about forgiving, but it's an "I'm still here." And it's not just because I have nowhere else to go. It's because I believe in the possibility. I believe in the possibility of another way of being. Let's make other kinds of mistakes; let's be flawed differently.

People expect black women to be angry, irrationally so, without reason. They think we are animals and we go around like the Wild Things.

One of the things that I think about is: How do you make moments that float, transparent? Moments that could just float away. How do you make a body accountable for its language, its positioning? Why not make a body accountable for its language?