I don't think I've ever worked on a project [Paper Girls] that is this personal. We draw so much on our memories of growing and we're putting so much of our present day into it as well.

One of my favorite comics is Love and Rockets by the Hernandez Brothers. They do such a wonderful job of showing you how the character of Maggie ages and really doesn't present that with any kind of judgment.

I realize that this is not what you want to put on a cover with Wonder Woman emblazoned on it. She could be in trouble, but she doesn't need to be completely out of control. So whenever I'm doing these covers, I try to make sure that there's an element where, even if there is danger, it's not something where agency is taken away from her.

[Paper Girls] needed to have a certain kind of almost neon style to it, but at the same time we wanted also to show the modern perspective that we had.

What I like about Paper Girls in particular is that because we're approaching it more from a female perspective, we're able to consider the emotional states of these characters a little bit more, and think more of their interiority.

I want her to be powerful on these covers, and sometimes that's a quiet power and other times it's a more bombastic power. But when you're going to have a book out there that's called Wonder Woman and she's on it, you have a responsibility to put out a certain kind of image.

Nothing I've worked on has been asked this much of me to put it on the page [like Paper Girls].