We wanted the book [Paper Girls] to feel to evoke the '80s, but not necessarily feel that it was drawn then.

I realize that this is not what you want to put on a cover with Wonder Woman emblazoned on it. She could be in trouble, but she doesn't need to be completely out of control. So whenever I'm doing these covers, I try to make sure that there's an element where, even if there is danger, it's not something where agency is taken away from her.

What I like about Paper Girls in particular is that because we're approaching it more from a female perspective, we're able to consider the emotional states of these characters a little bit more, and think more of their interiority.

Back then, as a kid, you could really just do whatever you wanted until your parents got home.

I don't think I've ever worked on a project [Paper Girls] that is this personal. We draw so much on our memories of growing and we're putting so much of our present day into it as well.

Nothing I've worked on has been asked this much of me to put it on the page [like Paper Girls].

I've become really aware of all the subtle things you can communicate through the art and how you're presenting a character, particularly someone like Wonder Woman, who means so much to so many people.