When coming up with Wonder Woman cover designs, sometimes people will pitch ideas to me, either the writer or the editor. And it's interesting, because I know they're not trying to, but they end up pitching things that end up feeling like damsel-in-distress covers, where the tension comes from her needing to be rescued somehow. And it's something I immediately push back against.

When coming up with Wonder Woman cover designs, sometimes people will pitch ideas to me, either the writer or the editor. And it's interesting, because I know they're not trying to, but they end up pitching things that end up feeling like damsel-in-distress covers, where the tension comes from her needing to be rescued somehow. And it's something I immediately push back against.

It starts with the writing. We have to think of all these characters - we have to treat them all equally. We have to think of them as having an interior life and having motivations. When I'm drawing female characters, I'm looking for that. I'm looking for subtext. I'm looking for ways to make the reader relate to them in a way that goes beyond the pure aesthetic value. You know, just drawing an attractive woman really gets kind of boring after a while.

A lot of times we look at the past as something that was really great, but we ignore things that have actually gotten better since then.Our girls [Paper Girls] are now dealing with what their futures look like, and reflecting on what they hoped the present day versions might be like.

Nothing I've worked on has been asked this much of me to put it on the page [like Paper Girls].

Back then, as a kid, you could really just do whatever you wanted until your parents got home.

We wanted the book [Paper Girls] to feel to evoke the '80s, but not necessarily feel that it was drawn then.