The casting is the most important thing. If you cast a picture really well a lot of things take care of themselves. You get actors that like to give a lot to the role and who appreciate the role on the same level that you do. If you miscast it, you're working an uphill battle a little bit and maybe you can come out okay but you can't always come out great.

Fate pulls you in different directions

What happened is I was going to college in 1950. L. A. City College. A guy I knew was going to an acting class on Thursday nights. He started telling me about all the good-lookin' chicks and said, "Why don't you go with me?" So I probably had some motivation beyond thoughts of being an actor. And sure enough, he was right. There were a lot of girls and not many guys. I said, "Yeah, they need me here." I wound up at Universal as a contract player.

None of the pictures I take a risk in cost a lot, so it doesn't take much for them to turn a profit. We don't deal in big budgets. We know what we want and we shoot it and we don't waste anything. I never understand these films that cost twenty, thirty million dollars when they could be made for half that. Maybe it's because no one cares. We care.

[FBI] philosophy is "Go ahead and make the story you want to make, and hopefully we'll love it." So that's that.

Whether you like it or not, you're forced to come to the realisation that death is out there. But I don't fear death, I'm a fatalist. I believe when it's your time, that's it. It's the hand you're dealt.

There are two kinds of people in this world. 'I' people and 'we' people. I've always tried to be a 'we' person.