The casting is the most important thing. If you cast a picture really well a lot of things take care of themselves. You get actors that like to give a lot to the role and who appreciate the role on the same level that you do. If you miscast it, you're working an uphill battle a little bit and maybe you can come out okay but you can't always come out great.

I'm a firm believer in research, but I'm also a firm believer in utilizing the instincts that are within your soul or in your body or in your stomach, wherever they reside.

I'd say people get to work and start being more understanding of everybody - instead of calling everybody names, start being more understanding. But get in there and get it done. Kick ass and take names. And this may be my dad talking, but don't spend what you don't have.

I think as you get older, you find you can play more things because you're moving to a different category. You play a certain thing as a younger man, playing action roles like I did. Then I moved out, and I kept trying to do different things all the time.

If you read any of the biographies on J. Edgar Hoover, you find that they contradict each other more than they agree. Often times, they're often told from a political perspective.

There's something about the first time an actor runs the material over his or her face you know when they kind of run it through their eyes and you see the thing and there is little imperfections in it and not every line is delivered perfectly, and it doesn't have that mechanical feeling.

When I was a kid, I remember the first Batman, the first Superman comic books when they came out, thinking how great that was and wouldn't it be great to see a movie like that. They did some cheap serials, but they're not the same as today. But I think younger audiences would like to see a real hero also.