On "[Total] Recall" also [sets were extraordinary], but this was next-level. They built two or three blocks of midtown Manhattan in 1926 and it was inhabited with 400 extras and 24 Model Ts and a train system and all that kind of nonsense. It was madness. You would walk into shops and they would have the goods from that period, it was just huge.

I hadn't really met Colin [Farell]. It's really weird to say: 'Oh, hello, I'm Kate...I'm Colin.. shall we?' That's a bit strange. Len was fine with it. We've gone through this experience with Scott Speedman before on the first Underworld move. It was our little version of swinging. We survived that.

I'm not going to experience the reality of hardship that sometimes my characters live in. I'm very cautious about that.

You move on. It's work. Yeah, I'm privileged and paid handsomely and it's not exactly being in a coal mine, but you still work your ass off and you work as hard as you possibly can and you hope that people connect to it and enjoy it.

The level of backlash [for the True Detective] was kind of fascinating and not fully shocking because I know what the world of the internet is and how it's a platform to project their greatest anger and frustrations. But it's also a place where people can wax lyrical and be effusive in their glowing fondness of something.

I never think I'm capable of any of [action movies]! I'm always terrified, but luckily on this one it was directed by my husband [Len Wiseman]. 'I can't possibly do it. I'm too scared, I can't do it.' He says: 'Go on. DO it!' So it is shocking as I'm not one of those people who finds that stuff easy.

I was disappointed, but I kind of knew it was going to be an uphill struggle because of how strong the first season [of "True Detective"] was.