You have the upmost amount of energy because you're not just having a cocktail at the end of the night. You're actually not drinking alcohol and you're keeping your body really clean and it's an amazing feeling to be getting out all the toxins.

I think people enjoy "The Lobster" because people respond to original things, but I think they only respond to original things if they connect to some truths within us.

You move on. It's work. Yeah, I'm privileged and paid handsomely and it's not exactly being in a coal mine, but you still work your ass off and you work as hard as you possibly can and you hope that people connect to it and enjoy it.

The level of backlash [for the True Detective] was kind of fascinating and not fully shocking because I know what the world of the internet is and how it's a platform to project their greatest anger and frustrations. But it's also a place where people can wax lyrical and be effusive in their glowing fondness of something.

I called Nic Pizzolatto and he said, "No, no. You're in it the whole way through." That was fun to shoot [in The Lobster]. I had a few scenes in that show that were some of my favorite all-time scenes to be in.

Sometimes I have experienced at the start of a film you're very excited and enthusiastic and you've done all your preparation internally and externally and you start the film and it's all go... Then your attention goes somewhere else. Your energy goes into telling the story, so you don't have the same amount of energy to be objective, and that's okay because sometimes you become a subject of the story and you're inside it so much that you don't need to keep on looking on the outside.

I take acting very seriously. I put everything I have and know into it.