I am more comfortable doing a drama.

I get excited about room-service menus! I really do.

It as an argument between the world of emotion versus the world of the intellect. It's the idea that you can suppress a person's mind and a person's experiences, mentally, psychologically and intellectually, but you can't completely quiet them to the point of dormancy and the emotionally life a person. You still have the heart and what the heart remembers and what the heart experiences. And even that isn't important that that comes across.

At the end of the day, it's all one version of telling a story. I treated this as if it was a two million dollar independent film. I did a lot more physical work than I'd probably have to do for a two million dollar independent film with four months of training and stuff. But as far as the character's psychology or emotional life goes, I treat it just the same.

Being Irish is very much a part of who I am. I take it everywhere with me.

There are so many interpretations that this film [The Lobster] could be approached from. But Yorgos [Lanthimos] is so specifically minded, he's so clinical in his direction of the film.

Yeah, I know my way around some guns, which is weird because I have no time for them. I don't like them at all but I can take apart guns and put them back together and stuff, so I didn't have to go to the range. I don't think I will ever to go 'the range' again! I've done enough of that.