I mean, we are tribal by nature, and sometimes success and material wealth can divide and separate - it's not a new philosophy I'm sharing - more than hardship, hardship tends to unify.

If you need to get in physical shape for a film and you have to maintain that for six months, at the start of the film, I was never able to do it.

Yorgos Lanthimos said, "What about if he's a bit soft?" And I said, "Yeah, I think you're right." He just comfort-eats a little bit too much. He's just asleep in his own life and has let himself go. And the mustache, I don't know if it was him or I suggested it. But I remember my sister was watching me eat and she was like, "God, does he have to be fat?" And in retrospect I couldn't think of David being any other way because it affected the way I moved. It really did. It slowed me down in a way that I felt was conducive to kind of tapping into the spirit of the character.

Hollywood. It lacks originality. Remake sucks.' But I had to look deeper into it from my own perspective. We are not trying to compete with the original at all and that's what allowed me to pull the trigger without any hesitancy.

I'm not painting myself as a down-home, modest guy.

Yeah, I know my way around some guns, which is weird because I have no time for them. I don't like them at all but I can take apart guns and put them back together and stuff, so I didn't have to go to the range. I don't think I will ever to go 'the range' again! I've done enough of that.

You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.