If you do a fifteen hour day on a film, there's a lot of time standing around but at the end of that, you want to go home to your hotel room and have a bite to eat, watch a movie and go to bed.

I like to go for a little drive up the California coast.

I'm not going to experience the reality of hardship that sometimes my characters live in. I'm very cautious about that.

From my experience, the only thing you can do is take what's written on the page and try, through your own curiosity and investigation, to make it your own and honor what the original intent was.

Yorgos Lanthimos said, "What about if he's a bit soft?" And I said, "Yeah, I think you're right." He just comfort-eats a little bit too much. He's just asleep in his own life and has let himself go. And the mustache, I don't know if it was him or I suggested it. But I remember my sister was watching me eat and she was like, "God, does he have to be fat?" And in retrospect I couldn't think of David being any other way because it affected the way I moved. It really did. It slowed me down in a way that I felt was conducive to kind of tapping into the spirit of the character.

You have the upmost amount of energy because you're not just having a cocktail at the end of the night. You're actually not drinking alcohol and you're keeping your body really clean and it's an amazing feeling to be getting out all the toxins.

I've never seen a moon in the sky that, if it didn't take my breath away, at least misplaced it for a moment.