I called Nic Pizzolatto and he said, "No, no. You're in it the whole way through." That was fun to shoot [in The Lobster]. I had a few scenes in that show that were some of my favorite all-time scenes to be in.

It's so technical. It's nothing personal. You're not fighting really, you're missing each other by a half of foot at least, ideally more and you get a few knocks and bruises. But with the kissing, you do kiss someone. Its lips on lips.

Anything that's different from your own realm of experience as a human being, whether it's driving a car or a boat, or using guns, anything that separates you from yourself and leads you more towards this character's existence is a big help.

I will say that as I get older and calmer and quieter in my own self, the one quality in a woman that I find more and more attractive is kindness. A sense of adventure and humor is important too, but I truly find kindness and consideration for others to be the most attractive thing in anyone.

I mean you can go wherever you want with it really. No matter what story you're telling you're always representing some reality. You are always representing human beings, their fears, their shortcomings, their braveries, their doubts, their loves, their abilities, their brilliance and those things inevitably lead to bigger political systems, foreign policy and crime and religion. It's an action film. We are not taking a stance about big government.

When I read the script it was extraordinary and to work with Yorgos [Lanthimos] again was amazing.

There was a part of me that felt afraid of people in Hollywood going: '**** Hollywood with their total lack of originality!'.