But I dare not think too far into the future on the risk that I'll miss the present.

It's so technical. It's nothing personal. You're not fighting really, you're missing each other by a half of foot at least, ideally more and you get a few knocks and bruises. But with the kissing, you do kiss someone. Its lips on lips.

I think people are propelled towards violence, and what propels them is much more interesting than the actual act of violence itself.

Making a film, you're in a really dark tunnel and the only kind of illumination is the shared experience you're having with your fellow cast and director.

The idea of implanting memories where by the implantee couldn't tell the difference between a real experience and a fantasy experience was really cool. And his ideas of technology - do we control technology or does technology begin to control us? His work hasn't aged a day it seems.

It doesn't matter if it's a drama or a comedy, the need to get the emotion and the character arc across is way harder in something like this so was more of a preparation.

When I read the script it was extraordinary and to work with Yorgos [Lanthimos] again was amazing.