Making a film, you're in a really dark tunnel and the only kind of illumination is the shared experience you're having with your fellow cast and director.

Girl trouble, for me, is when you fall in love.

Making a film, you're in a really dark tunnel and the only kind of illumination is the shared experience you're having with your fellow cast and director.

Around the world there are certain marital systems, certain physical systems, political systems, social systems, and all those things are kind of turned on their head but represented in various ways within "The Lobster."

You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.

Every week a tsunami rips through poor towns and villages all over the world. It claims 25,000 lives a day, 175,000 a week. It sweeps children from the arms of their mothers, robs hundreds of millions of any hope for the future. That tsunami is hunger. Help us end it now.

Desperation will allow you to do incredible things in the name of survival.