Vampires have always held a very seductive kind of lore and have always been some variety of attractive, whether it's attractiveness that's born of just the physical attributes that they have - this kind of ethereal beauty or translucent pallor - or whether it is more to do with the way they carry themselves.

The first time you hold your baby in your arms, I mean, a sense of strength and love washes over you. It washed over me and I never thought that possible.

On "[Total] Recall" also [sets were extraordinary], but this was next-level. They built two or three blocks of midtown Manhattan in 1926 and it was inhabited with 400 extras and 24 Model Ts and a train system and all that kind of nonsense. It was madness. You would walk into shops and they would have the goods from that period, it was just huge.

[Yorgos Lanthimos] is really a master I feel, I really do.

One of the great things about the film being so unusual and provocative is the filmmaker to me doesn't seem to have a definite opinion on the rights or wrongs or the immorality of behaviors and systems, he just presents a set of very unusual circumstances and asked the audience to partake in the judging of what feels right or wrong or what feels natural and unnatural.

I'm just a true Irish boy at heart. I'm just myself, I stick by my guns and I treat people the way I think they should be treated, regardless of their status. And I just have a laugh.

I just recently realized. It's very strange. But doing fight scenes with Kate [Beckinsale], I was little bit more cautious. You can go harder with a guy, which I don't mean as an insult.