I never saw myself as Mr. Ugly, but I'm not that handsome. I can sort of be made to look quite a lot better or quite a lot worse.

Less racist now but it has been. I don't think it's been completely stamped out. There's a class element to it. And who's supposed to do what. You're very unlikely to get a gay grip.

I'm not patient, and some things drive me crazy. In my work, I get incredibly upset when people don't get it right or don't respect others' needs.

It's hard to get yourself into a position where someone will trust you to direct a film anyway, whatever sex you are. Certainly in England, the film set is a very male preserve. There's a lot of very rough looking men pushing equipment around that don't want the gaffer to be a girl.

To work effectively in a film, you have to repeat and work consistently. Basically, you shoot a big master then you do close-ups. You're supposed to be in the same moment, the same 30-second moment, for a day.

I don't know if there's a problem with original ideas... I think a healthy film industry should have a good supply of good, original writing.

There's no point in it unless it's a story that you really want to tell. It's a nebulous job. Unless you're doing it well, you're not doing anything. And there are a few of those. It's perfectly possible to be a passenger on a film set because if somebody else has written it, you can make nothing of that role and that's exactly what bad directors do.