I think England has served me very well. I like living in London for the reasons I gave. I have absolutely no intentions of cutting those ties. There is absolutely no reason to do so. Certainly not, so that I can have a swimming pool and a palm tree.

So, I think there's a danger that good stuff can fall by the wayside if it doesn't conform to formula. But I think it comes down to money and they just don't know where it's going if they haven't got any precedent.

I don't know if there's a problem with original ideas... I think a healthy film industry should have a good supply of good, original writing.

I can't bring you absolute truth in the detailed factual sense. All I can do is bring you an interpretation as I understand it. That's all you can ever get from an actor.

I do think a good story in a novel is fair game and there's nothing wrong with adapting that. It sometimes gets a bit facile where they think: "Let's get the next best-seller and see if we can turn it into a film."

In filming you're waiting. You're waiting for lights. You're waiting for people set things up. And when you're not waiting, you're repeating. And neither is conducive to spontaneity, you know. Comedy makes you very, very neurotic because you think, I - but did I nail it?

It's entirely to do with personality, I think. There are good directors who talk a lot, bad directors who talk a lot, and good directors who don't say much and vice-versa. It just depends on whether people respond to that personality and whether people have a willingness to do something for them.