It's a funny thing - the reality is I have no feelings about school. It's long gone. Funnily enough, the bad memories - of which I don't have any left to be honest, I can just remember a sense of tedium - have faded. And teachers that I liked have remained quite vivid. There are three or four left.

To be bothered wherever you go - it's not a rational thing to want at all.

If I were to write a book about the progress of getting to a third film, it would be a long one.

And that is a hard route for a woman to come through. There's still a lot of roles that have to be conformed to. It's quite an old fashioned environment in a lot of ways.

It's entirely to do with personality, I think. There are good directors who talk a lot, bad directors who talk a lot, and good directors who don't say much and vice-versa. It just depends on whether people respond to that personality and whether people have a willingness to do something for them.

But this is where you get all the market research and things get in danger of becoming formulaic, and where you depend on brands and getting recognised actors. It's the thing that precludes risk very often, otherwise everyone would be avant-garde all over the place.

Just driving I just was in a car on flat ground and I couldn't make it go. Having ticked driving and taken three driving lessons, I just was unable to produce any motion whatsoever under perfectly normal circumstances. I think we've all been busted on driving, and riding.