Religion, mysticism and magic all spring from the same basic 'feeling' about the universe: a sudden feeling of meaning, which human beings sometimes 'pick up' accidentally, as your radio might pick up some unknown station. Poets feel that we are cut off from meaning by a thick, lead wall, and that sometimes for no reason we can understand the wall seems to vanish and we are suddenly overwhelmed with a sense of the infinite interestingness of things.

A symphony is a stage play with the parts written for instruments instead of for actors.

I was aggressively nonpolitical. I believed that people who make a fuss about politics do so because their heads are too empty to think about more important things. So I felt nothing but impatient contempt for Osborne's Jimmy Porter and the rest of the heroes of social protest.

Man is brilliant at solving problems; but solving them only makes him the victim of his own childishness and laziness. It is this recognition that has made almost every major philosopher in history a pessimist.

The complex develops out of the simple.

In the mid nineteenth century, the typical murderer was a drunken illiterate; a hundred years later the typical murderer regards himself as a thinking man.

I have a strong antipathy to everything connected with gardens, gardening and gardeners. . . . Gardening seems to me a kind of admission of defeat. . . . Man was made for better things than pruning his rose trees. The state of mind of the confirmed gardener seems to me as reprehensible as that of the confirmed alcoholic. Both have capitulated to the world. Both have become lotus eaters and drifters.