I like the architecture of lingerie.

In designing Supergirl, I wanted to embrace the past but more importantly, thrust her into the street-style action hero of today.

As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things.

Chicago is partly a fairy tale because it's inside one person's head, so that part of it's made up and the rest of it is reality.

On Planet of the Apes, I had a very knowledgeable team who knew good materials, but I had one main source person who worked online and on the street continually looking for the proper materials.

In real life, a lot of people at that level will have their kimonos made especially for them.

I think what's fun about the fairytales is just seeing what everybody interprets them as, which comes from the different directors and what they want to do with them.