In real life, a lot of people at that level will have their kimonos made especially for them.

Every story is different, so what is a detail in one might not be in something else. Diversity is something I embrace and love about my work.

On Planet of the Apes, I had a very knowledgeable team who knew good materials, but I had one main source person who worked online and on the street continually looking for the proper materials.

I have assistants that use the internet a lot more than I do. I use the internet for photo research, but for me personally, probably just because of my age, I'm not that mechanically inclined.

I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration.

I had to work out that it was something that could move, without having everybody in spray painted leotards.

Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie.