In real life, a lot of people at that level will have their kimonos made especially for them.

I love Johnny (Depp). A lot of the stuff I've done for him stands out for me just because of the relationship and who he is.

I always have a moment when I know I'm designing the last costume that gets made for a movie and it's always been floating up there but it's kind of the last one. That's always probably the hardest one for me.

Be able to take any job that gives you experience on a film. Don't just think that you have to be in one department or the other, because through working on one and seeing what other people do in the movie makes you realize what your role is if you become a costume designer.

Chicago is partly a fairy tale because it's inside one person's head, so that part of it's made up and the rest of it is reality.

Be really good with budgets because they keep getting smaller.

In designing Supergirl, I wanted to embrace the past but more importantly, thrust her into the street-style action hero of today.