Google "brooklyn writer" and you'll get, Did you mean: the future of literature as we know it?

The only time "early bloomer" has ever been applied to me is vis-a-vis my premature apprehension of the deep dread-of-existence thing. In all other cases, I plod and tromp along. My knuckles? Well dragged.

To put off the inevitable, we try to fix the city in place, remember it as it was, doing to the city what we would never allow to be done to ourselves. . . . New York City does not hold our former selves against us. Perhaps we can extend the same courtesy.

I think being a writer was a crappy job when you just had typewriters. It was crappy when we just had ink and paper. And it's sort of crappy now. It's always just you and the page. That doesn't change.

A lot of people, when they first hear about the Underground Railroad, think it really is a subway or a locomotive. When they find out it's not, they feel a little disappointed. So I thought, What if it was a literal underground train network traveling from state to state, with each state it goes through representing a different opportunity or danger?

I'm trying to keep it fresh for me. I'm just trying to not bore myself. And if I can do a detective novel, and if I can do a horror novel, then why do it again? To keep the work challenging I have to keep moving.

I think you're only post-racial when you stop asking if you're post-racial. When the Neanderthals finally stopped asking themselves if they were in a post-saber tooth society, that's when they were post-saber tooth.